Wednesday, March 15, 2017

In the Future, Your Dog Will Sing Like Elvis AND like the Jordanaires...

I read this thing the other day, about how Sir George Martin's son Giles and a mathematician essentially re-synthesized The Beatles' only released live album, The Beatles Live at the Hollywood Bowl. It was cleaned up by modeling the spectrum of each of their voices and instruments to a spreadsheet inside of MatLab, and letting an Ai map out the music and isolate each part that was recorded on the original 3-track master tape. Each part was reversed engineered from the recorded mess. Fascinating. Brilliant Groundbreaking. Earthshaking.
You can read about the restoration process and here the musical results in the original article, here:
So I was in the shower just now, and I had a thought. As I am wont to do, in having that thought In reminded myself That As I am having this thought, a million other people are having this thought now too, and maybe one of those million are acting upon this thought...and hopefully that one person is Sir Paul McCartney or Giles Martin.
So, Ai develop by feeding them information, which they digest and process to improve themselves, and to - theoretically - better themselves, and come up with better ideas than human beings could ever come up with. For example, among many things that it can do, IBM Watson can take groups of ideas and things, and it then maps the trajectory of the progression of those things over time to come up with new, better, and similar things to a given specification. Another Ai takes physics into account and designs safer, more usable car chassis that are easier to produce than any that any human being would have ever thought of. You get the idea.
So, what if IBM Watson was fed the entire Beatles' song catalog, in order of writing, and asked to write new songs based upon their style and content?
Then I thought about the Hollywood Bowl cleanup, and realized they could model the actual Beatles delivering said new songs. Physical Modeling can recreate the sound of any instrument - or singer - singing or playing anything. Theoretically we could have an Ai write new Beatles songs, and then we could hear the sounds of the actual Beatles performing new Beatles songs that never existed - or even their future selves, aged realistically or not, performing those songs that they had never written or performed.
Then I realized they could do this with anybody's material, and they could have an Ai manifest songs that are creative or psychedelic, as well as songs that are calculated to be hits based upon a pile of songs that were already hits, or whatever that computer's model of The Beatles "wants" to come up with. In fact, you could map the trajectory of those hits over the time in which they were written, evolve what their previously-non-existent hits would have sounded like over the intervening time between 1970 and now, and come up with, in just this example, Beatles songs that would be new hits today - as if the Beatles had never stopped writing and recording (or Pink Floyd or Led Zeppelin or or or)....or anything that they possibly could have written at anytime in between then, when the last Beatles song was recorded, and now, or heck, why not the future? You could listen to that Beatles album from 1990, LOL, that never happened, or that Beatles album that might "have been" made in 2099!!! What would they call this body of work? Duh: they could call it "Evolver".
This is not science fiction. The technology to do this is actually, really, truly here right now. So, I believe that in ten years time or less we'll be doing this with pocket computers and listening to incredibly sophisticated algorithmic compositions that are perfectly matched to our musical tastes, as those songs are generated, modeled, and recorded. It's a whole new listening party, folks. You could have a tiny device in your brain that runs a tiny program that makes up an endless stream of new songs that are guaranteed to please, please you (so sorry).
The arguably bad side of all of this is that the natural extension of the controversial use of tools like Autotune and their Antares Voice toolkit voice-modeler is that anyone with access to those nee tools will be able to sing badly and make their tracks sound like any famous or imaginary singer that they want to sound like. Same with instrumental players - Roland's V-stomps did it with Guitars and Basses 20 years ago or more. But the creative possibilities of such technology are truly limitless.
Then there is the list of possibilities for realtime Karaoke processing...
The upside is that we hopefully soon won't have to ever listen to any more music that we think sucks.
Maybe Cleverbot is right: maybe I am a program. Or a towel.
...or maybe You're a towel....

Monday, July 02, 2012

"Creation Part I" posted to my SoundCloud page

"Creation Part I" was a soundscaping experiment that I did almost two years ago from my desk in the apartment in Long Beach that I shared with my girlfriend, Kim. It began with a recording of the family dog, Mango, barking out on our front deck, and ended up being something completely different... For your enjoyment, this was the first track that I posted on my SoundCloud page. Please, feel free to pass on the link. Thank you for your love and never-ending support!

"(Across The Water) To My Baby" posted to my SoundCloud Page

Well, it's been a big, big day. (Across The Water) To My Baby is the first track from my E.P. of original Rock tunes, that I call "Love, Hate and Weed". It's the second track that I've uploaded onto my SoundCloud page for your enjoyment. It's just a big "thank you" for all of your love and support! Enjoy, and feel free to pass on the link!

Friday, June 08, 2012

TuneROCK Rocks

I made a cover version of john lennon's song called Real Love. My friend Drew Blanke made this video for me. I love it, and I hope that you do, too.

Thursday, February 24, 2011

Glenn Moses' EP Is Released

Wow, what a week! On 6th February, 2011, I released a collection of my original songs, to complement my arrangement of John Lennon's Real Love. My original EP, which I call Love, Hate and Weed, is for sale on the iTunes Store, as well as on CD Baby, and is also available in just about every other digital music store on this planet (and possibly on several other planets, as well - let me know if you hear about any). If you would like to show your support, please check find my songs on your favorite music store site, and give me a review, and rate my stuff. That would be a great help! Thanks!

There are four songs on the album:

(1) Across The Water
(2) 3 a.m. (Smoking Weed)
(3) Something Happens
(4) Squirk (Instrumental, for Kim)

You can buy it right now for a mere $3.96! A bargain at any price...

Quite a few of my friends who are on Facebook have given me some really kind, ultra-supportive words regarding my projects. I hope to get around to thanking each of you personally, but, in the meantime, please know that I appreciate every one of you! Thanks so much for your support!

    Sunday, February 13, 2011

    Real Love is available on the iTunes Store

    Yep, it's finally been released. After careful consideration, I decided to use my birth name as my artist name. No arguing with Mom on what I should be called. Head on over to the iTunes store, and buy yourself a copy of John Lennon's song, Real Love, as arranged and performed by me, Glenn Moses. By the way, that's Andrew Bertrand on Drums, and Kevin Griffin on Bass Guitar. They rule!

    http://itunes.apple.com/us/album/real-love-single/id418973972

    Sunday, February 06, 2011

    Real Love Goes Live

    Well, after 18 years of designing my own arrangement of the John Lennon song, Real Love, I finally licensed it for release. The song will be available on the iTunes store, CD Baby, and many other stores for digital download. It should be available by the time you read this.

    I'm very excited about the whole affair. I've been working on other people's music for release my entire career. Although I've been writing my own music for decades, I never really had the time to put into finishing my own stuff, and to pay it proper attention.

    The Beatles, and John Lennon in particular, were easily the most powerful influence on my musical tastes and, ultimately, on my own compositional style. I love fatty, cheesy, original, ear-candy sounds, and I use as much cheese in my music as possible. I was a kid while the Beatles were still together. I grew up in the late sixties and the early seventies, while Bubblegum music, like the Archies and The Jackson Five were king. I whole-heartedly believe that the world can be saved through pop music. Music is a great part of what defines us as people, and, therefore, if there is more happy, candy-coated music out there, the world will automatically be a sweeter place for us all to live.

    I am also assembling an EP of love songs that I've written over the years. I'm hustling to get it out before Valentine's Day this year. I'll keep you posted.